Description
游離其間：走向映像與文字的中際思域
不同藝術間某種互相認同的關聯的質素，彷彿那一瞬間，一張畫、一件雕塑正欲發聲為話語。──美國詩人龐德（Ezra Pound, 1885-1972）
作為城市漫遊的攝影者，葉灼走訪各地，以其靈視的眼光，瞬間凝住喧鬧世界於一格，使生活中「既熟悉又陌生、既真實又奇幻的」影像／映象再現；而行遍天下，以比較文學理論馳名國際的葉維廉，生命中的觸動，總湧為詩文。父子二人雖異，卻又同——在尋索生命歸屬的過程中，在工業化絞動文化的陣痛中，雖熟識／陌生交錯，傳統／現代錯位——卻均「在緊張壓迫的變化中兀然獨立，在某種天平上游離其間」。而，這樣的游離，對讀者，並不陌生。
From 80 evocative photographs, pregnant high visions, come poetic echoes of measured pulses and impulses. Two artists, father and son, engaging in a cross-cultural, multi-generational dialogue with rhythmic, vital energy, tracing for the reader an odyssey of cultural and living complexes, explore the push-and-pull interactions between poetry's linguistic signs (seething images in the heart/mind) and photography's visual signs. We experience in this gap what American poet Ezra Pound called the “inter-recognition” between arts, “where paintings or sculptures seem”, as it were, “just coming over to speech.”
〔Preface／序〕
Seeking Forgotten Time and History Among Trembling Light and Shadows— The Photographic Art of Jonas Yip in Paris: Dialogues and Meditations
在光影微顫中尋索遺忘的時間與歷史——葉灼《巴黎對話》裡的攝影藝術／Leo Ou-fan Lee 李歐梵
〔Foreword／前言〕
Somewhere Between: Toward the Middle Space Between Images and Words
游離其間：走向映像與文字的中際思域／Wai-lim Yip 葉維廉
〔Part I／第一部〕
PARIS DIALOGUES 巴黎對話
〔Part II／第二部〕
PARIS MEDITATIONS 巴黎冥思
〔Part III／第三部〕
A FERTILE DARKNESS 肥沃的黑暗
〔Part IV／第四部〕
MEMORIES MISPLACED 錯置的記憶
〔Afterword／後語〕
Somewhere Between: Toward the Middle Space Between Images and Words: After Reflections
游離其間：走向映像與文字的中際思域／Wai-lim Yip 葉維廉
〔About the Author／關於作者〕
JONAS YIP 葉灼
WAI-LIM YIP葉維廉
目前沒有評價。